陶器的一种主要装饰技法。有刻底和空刻两种形式。刻底是用毛笔在坯体上打好墨稿，或用蜡纸把书画稿印在坯件上，然后用刻刀依墨稿刻划，一般多用双入正刀法。空刻是直接用刀在坯上刻划。
关于大汶口文化中出现的陶刻符号，就其意义问题，曾引起学术界的热烈争论。
There was once a heated debate on the meanings of the signs on the pottery of the Dawenkou culture.
夏商以前的陶纹刻符与商代的甲骨文有相似之处。
The symbols inscribed on pottery earlier than the Shang Dynasty bear resemblance to the Shang oracles.
仰韶文化前期的刻画符号，绝大部分位于陶钵口沿。有些是烧制前刻的，有的是烧制完成后填画上去的。
Some are to go up to fill painting after the system carving , having plenty of fever is completed before burning system.
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