和冯•史登堡一样，王家卫总将他的演员置于特写和中景镜头中，背景是巴洛克建筑的细节，烟雾一直在空气中缠绕。
Like von Sternberg, he films his actors mostly in closeup and medium shot, with baroque architectural details in the background, with cigarette smoke constantly coiling through the air.
史温顿钟爱特写镜头，她曾说：“象征性电影是艺术”，这在她的新上映的影片中一览无遗，影评们说那可能会为她赢得奥斯卡奖。
Swinton's passion for close-ups--where she says "figurative cinema becomes art"--is evident in her new film, which critics say may earn her an Oscar.
当然，镜头一转转到本人的过去，各种开心悲伤史，想必大神们都也曾经经历过的吧。
Surely, turn around the swift camera to me, all sorts of happiness and sadness. Presumably, each beings has had gone through them.
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