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在这一透明色料层之上，达芬奇绘出了眉毛等细节。
Above the glaze Leonardo painted details such as the eyebrows.
Pascal Cotte认为达芬奇是分层完成名画《蒙娜·丽莎》的，油画的最上面一层是某种特殊的透明色料层，其光学特性增加了人物面部的三维立体效果。
Pascal Cotte said Leonardo built the painting up in layers, the last being a special glaze whose optical properties increased the illusion of a three-dimensional face.
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