这本身就是一个几乎难以理解的跨越几代人的过程，这使得澳大利亚的岩石艺术成为世界上最古老的持续的艺术传统。
This in itself is an almost incomprehensible span of generations, and one that makes Australia's rock art the oldest continuous art tradition in the world.
这些问题跨越国界、跨越大陆、跨越几代人。
Questions that stream across borders, and continents, and generations.
我论述在他的工作中所模拟的这种角色，以及在我们所能理解的程度的范围内，这些油画是被作为跨越几代人的对话的碎片，还是在被作为一种独白？
I discuss the role of mimesis in his work, and the degree to which we can understand these paintings as fragments of dialogue across generations, or as a soliloquy?
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