鲍德里亚(Jean Baudrillard,1929-)的“超美学”(Transaesthetics)是20世纪西方美学“后现代转向”以来最有原创性的一种美学形态之一,它从四个方 ..
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Although“transaesthetics”is a word that Baudrillard mentions in his later stage, the logical course of the thought of“transaesthetics”has already begun when he thought on aesthetic issues in his earlier stage.
虽然“超美学”是鲍德里亚后期才提出的一个词,但“超美学”思想的逻辑进程是从鲍德里亚早期对美学的思考就开始了的。
参考来源 - 鲍德里亚“超美学”思想研究·2,447,543篇论文数据，部分数据来源于NoteExpress
作为特殊的文化载体，般若经之传译及佛法僧所具的强大文化感召力，使中国美学基于“生生”之悟更添旷达与超跋；
Moreover Prajna sutra as a special cultural carrier upgraded the broad-mind and transcendence of Chinese Esthetics with its interpretation and impelling power.
西方现代美学与中国传统美学有惊人的相似之处，追寻一种非概念的、超理性的智慧和人生境界一直是中国古代美学的重要特征之一。
Modern Western aesthetics is surprisingly similar to traditional Chinese aesthetics with non-conceptual, supra-rational wisdom and state of life characterizing the latter.
1991年龙夫威（右）等中美学者寻访平遥超山书院遗址。五台东冶镇永安村北的徐继畬之墓。
Chinese and American scholars view the site of the Chaoshan Academy at Pingyao in 1991 (Prof. Fred Drake on right). Xu Jiyu's tomb in Yong'an, Wutai.
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