所谓“诗歌语言”,就是物象之间有机化、戏剧化的神秘联系,也可说诗人的历史宿命就是不停地激活着物象(包含人物)与物象之间的神秘联系。
" The author mainly demonstrated from two aspects of language:poetic language and fiction language.
笔者主要从诗歌语言和小说语言两个方面进行了论述。
参考来源 - 沈从文的文学创作与音乐They have the close relation with the poetry language semantic deviation.
语义偏离是为了表现美学特征而存在,这些美学特征又是诗歌语言语义偏离生成的引领者。
参考来源 - 现代诗歌语言的语义偏离研究Defamiliarization is an important feature of poetic language. It is poets’ conscious choice and aesthetic pursuit.
“陌生化”是诗歌语言的特质,是诗人的审美追求和自觉选择。
参考来源 - “陌生化”:从诗歌创作到诗歌翻译—《外语教学》—2008年第2期—龙源期刊网·2,447,543篇论文数据,部分数据来源于NoteExpress
这就是说,实用语言和诗歌语言并存。
第一章诗歌语言和小说语言在生成阶段的区别。
Chapter language poetry and fiction in the formation stage of the language difference.
第二章诗歌语言和小说语言文本的外部特征的区别。
Second chapter poetry language and novel language version outside characteristic differences.
Frost as a narrator, in these great poems I'm describing, frames his people's words minimally, with few bits of narrative information.
作为一个叙事者,弗罗斯特在我所说的那些伟大的诗歌中,最低程度地用框架框住人的语言,夹杂着少许叙事的信息。
It's not a question, in other words, of poetry or of a novel being somehow or another strictly a matter of poetic language.
毫无疑问,诗歌或小说是,诗化语言的严格体现。
The Nativity Ode is continually presenting the speaker with temptations, with incitements to sin that need to be purged from the speaker's poetic voice.
圣诞清晨歌》继续呈现给诗歌发言者一些诱惑,对罪孽的激励需要,诗歌语言发言者来净化。
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