散曲是中国诗歌的第三种也是最后一种古典体式。
Sanqu Poem is the third, also the ultimate, classic style of Chinese Poetry.
近代宋诗派的诗学理想和创作成就就及其缺陷，鲜活地说明古典诗歌在艺术体式与意理神韵两方面都必须摆脱自身的桎梏而获取新生。
The poetry ideal and achievement of this school indicated that in order to gain a new life, classical poetry must alter its form and mood.
作为“歌体诗”的重要代表作家，秋瑾的“歌体诗”实践有力推进了近代诗歌的体式变革。
Being a significant representative writer of "song form poetry", Qiu Jins practice in this respect gives vigorous impetus to the transformation of the form of modern poems and songs.
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