这个十年引入了一些超乎寻常的变化，从影片的制作方式到我们观看的方式。
This decade has brought some extraordinary shifts in the way films are made, and the way we watch them.
就代表着观看的方式在转变，角度变化以后就会让人有新奇感，中国的版画本身就不完善。丝网本身就有问题。
Views on the way represent the change in the perspective of changes in the future people will have a novelty in China do not improve the print itself. Screen problem itself.
它在本质上是观看的方式——看观众在看这部电影或录像时将会看到和听到的；把这些写下来，以叙事-制作者理解起来不费力的方式写。
It is essentially a way OF SEEING what an audience will see and hear when they watch the movie or video and writing that down in a way that the narrative-makers can easily comprehend.
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