许筠的情感美学观摆脱性理学的性情美学，阐明了情感的美学意义。
Free from affective aesthetics in temperamental rationalism, Ho Kyun's affective aesthetic outlook expounds on the aesthetic meanings of feeling.
因此，康德美学是将审美性情作为社会区分标志的合法化、学理化的最终根据。
Thus the modern aesthetic of Kant is to distinguish between the aesthetic disposition as a social symbol of legalization, school physics and chemistry of the final under.
吸收了中国传统美学的智慧，力求表现民族化的诗性情怀。
The wisdom of traditional Chinese aesthetics expresses poetic feeling of the nationality.
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