在中国文化中，比例就是一切，从建筑到人工产物，再到绘画空间。
In Chinese culture, proportion is everything, from architecture, to artefacts, to pictorial space.
但是，他却用较少的绘画空间，更多表现了不同比例和观念的冲突。
However, this is done less by using pictorial space, than by confronting various views and proportions.
绘画的“动态性”研究是对原有绘画空间概念与行为的附加，是对当代绘画空间模式的补充。
Study "Kinetic" painting is affixation of the originally concept and behaviour of the painting, is subjoin of modern painting space mode.
应用推荐