事实上，《永不妥协》是个出影星的地方，因此他没有运用在最近两部影片中非线性的剪辑方法，而那种方法正是他的专长。
In fact, BROCKOVICH is such a studio star vehicle he doesn't employ the non-linear editing of those last two films that was becoming his forte.
塞格多尔·古德扬森的录像叙事摒弃了以往的线性叙事，采用叠加剪辑来进行创作，拍摄时所录制的声音也成为打破叙事的一个重要元素。
The video narratives of Sigurdur Gudjonsson refuse linearity and work with superimposing cuts in which sound, mostly taken while filming, becomes also an important element for his broken narratives.
目前，影视系拥有摄像机五套，非线性编辑-八套，演播室一个，剪辑工作室两个，并有相对完善的照明、录音等教学设备。
Now the Department has five sets of cameras, eight non-linear editing machines, one acting studio, two editing studios, some lighting and recording equipment and other teaching facilities.
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