在《霸王别姬》中，程蝶衣因持续模仿与自己完全不同的人物和性格，对现实和戏剧世界之间界限认识模糊，并由此形成第二天性。

In Farewell, Concubine, Chen Dieyi continually took off completely different characters and formed a second nature as the result of his vague cognition of the ambit between reality and drama.

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本“课程”是戏剧制作，没有传统的教学时程。

This "course" is a theater production and does not have a traditional class schedule.

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