神话传说
19世纪末和20世纪初的人类学家们拥护的最广为接受的理论认为,戏剧起源于神话和宗教仪式。
The most widely accepted theory, championed by anthropologists in the late nineteenth and early twentieth centuries, envisions theater as emerging out of myth and ritual.
地理环境、宗教信仰、文学作品、寓言神话、风俗习惯、人与动物、体育娱乐等是英语习语形成的文化背景。
English idioms are formed in the cultural context of geographical environment, religious, belief, literary work, fable myth, manners and custom, human and animal, sports and entertainment.
但由于受民族心理、宗教信仰、神话传说等文化差异的影响,数字被赋予了丰富的文化内涵。
But because of the cultural diversity found in the national psychology, religious belief and mythology, Numbers are endowed with abundant cultural connotations and associations.
So returning to Genesis 1, We have an absence of theology and mythology in the sense of a biography of God in this opening chapter And that means the absence of a meta-divine realm.
好,现在回到《创世纪》的第一章,这里并没有宗教信仰也没有神话传说,在开篇中也没有上帝的传记,这也就意味着没有一个无量的国度。
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