他早期曾花了两年半的时间对非洲恩丹布(注3)（Ndambu）社会做田野研究，使用了「社会剧（Social Drama）的概念描述恩丹布社会冲突的产生，及如何以仪式方式解决冲突，而此一「社会剧可说是仪式、戏剧与社会之间关系的重要模型。
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他们同样疯狂痴迷于甜腻的流行音乐和电视通俗剧，但却缺乏个人志向，社会技能，甚至自我意识。
They share a deranged obsession with saccharine pop music and television melodramas, but are devoid of personal ambition, social ability or even self-awareness.
生活和社会都在不断变迁，肥皂剧也需要跟上时代。
Soaps need to remain contemporary: life and society are both constantly evolving.
这是一种日常的，成熟的社会认知，心理能力毫不费力的在与他人间复杂，肥皂剧般的关系中层层堆积。
This is the type of everyday, grown-up social cognition whereby theory of mind becomes effortlessly layered in complex, soap opera-style interactions with other people.
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