他的作品中也用墨彩来制造画面的气氛，用偶然性的视觉效果来强调精确描绘出的形象。
As with Feige, there is concern for the way in which atmospheric washes of color and visual accidents undermine the solidity of precisely delineated forms.
因为光线可以表现对象、描绘对象，可以形成色阶层次和空间效果，营造电视广告画面的气氛。
Because the light can performance object, describe object, can form color class times and space effect, build the atmosphere of TV advertising picture.
相对灵活地使用了斑驳的肌理语言，综合点染，皴擦多种笔法，特别强化了色彩的魅力，使笔墨服从于全画面的气氛。
He neatly used the mottled texture language and added spot-ink and iterative-wrinkle skills, especially highlighted the charm of colours, and finally got a good effect on the whole painting.
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