事实上，气氛十分淡定的，大多数客人都沉稳的坐着，似乎全心专注于他们的画作，一会儿抬头观赏，一会儿低头作画，将眼前的画面重现在纸上。

In fact, the atmosphere is quite chill, with most patrons seated and seemingly focused on their work, looking up and down repeatedly as they re-create the image before them.

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第四章从平静而有力度的镜头运用、沉稳而不拘谨的画面构图和和谐而有寓意的颜色运用等方面分析了王氏电影的影像风格。

Chapter four analyzes image style of Wang Xiaoshuai's films, from the clam and aggressive use of the lens, steady but not over cautious picture compositions and harmony and implications of color use.

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