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该是给一些有创意的电影制作者一个机会的时候了。
It's about time a few movie makers with original ideas were given a chance.
没有了它,电影制作者要怎么表现某人挂断另一个人电话呢?
And without the dial tone, how will movie producers ever indicate that someone's hung up on a character?
电影制作者们给出了四条很有效的建议,用LEAD作为缩写。
The filmmakers suggest four specific ways to do that, with the acronym lead.
So I'm really just interested in how filmmakers make films for what motive they have in common, why they make them and how they choose to present reality.
所以我对电影制作者们,在制作电影时有没有什么共同的动机,他们为什么要制作电影,如何用电影反映现实,等方面很感兴趣。
He feels like it sort of takes away his innocence as a filmmaker. Then also in the reading, he mentioned that he doesn't believe that you need any film knowledge to make a good movie. You just need an understanding of culture and of human history.
他感觉那样有如夺走了他作为一个电影制作者,所需要的纯真,在阅读材料中,他还提到,他认为要拍一部出色的电影,其实并不需要任何专业知识,只要对文化和人类历史有所了解就可以。
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