这幅画我就是在尝试画出湿壁画的效果。
我当时学色彩的时候,受他影响,觉得很有意思,后来我想油画都画的这么干了,很少画湿的,往这个方向走。
When I studied water color, I was affected by him. I thought it was interesting and the oil painting was too dry and drew wet rarely. I wanted to try toward little direction.
“道咸画学中兴”说的笔墨主要就是“湿、浓、黑”三墨与“碑学用笔”的结合。
The brush and ink technique in "the Resurgence of Painting Theory During the Daoguang and Xianfeng Period" characterized by the combination of "wet, thick and black ink" and "epigraphy-brush".
应用推荐