本文试图通过分析勃拉姆斯晚期四部特性钢琴小品集（作品116—119号）的创作手法，来说明其通过对古典主义形式的剥离，对浪漫主义音乐元素的吸收，形成的独特风格。
The paper intends to show his deviation from classic forms by analysing his four later clavier essays Op. 116-119 which assimilated romantic elements and formed his own style.
舒伯特的八首即兴曲开辟了浪漫主义钢琴小品的先河，音乐优雅、精致、抒情动人。
Schubert's eight impromptus, considered as the precursor of the romanticism of piano pieces, are graceful, exquisite, lyrical and moving.
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