Chapter II is a prototype image analysis, concrete analysis of plant imagery, water imagery.
第二章是对原型意象的分析,具体分析植物意象和水意象。
参考来源 - 《宠儿》的神话原型解读Finally, the author summarized the article and try to make a abstract experiment of water imago of Zhuozheng Garden in the interior space of Culture and Museum Center of Rushan city . It is just an experiment.
最后,总结全文并以乳山文博中心室内空间再设计作为水意象结构和意境的抽象尝试,以供探讨。
参考来源 - 言·象·意·2,447,543篇论文数据,部分数据来源于NoteExpress
本文首章阐述了水意象在原始生殖崇拜观念中的作用。
This first chapter of water imagery in the original concept of the role of fertility-worship.
最后一章主要比较了双方作品中“水”与“火”意象的相同与差异,在“火”意象含义的区别中体现的是中西文化本源中的差异。
The last chapter points out the common meaning of the image "water". and probes into the causes to the diffrences between the image "fire" in the workes of Eliot and the nine Chinese poets.
而在道家文学中,水的承载意象却成了快乐、自由的象征,而且这种变化是随着历史的推移经历了一个演变过程。
In Taoist literature the carrying images of water became the symbolization of happiness and freedom and this change went through a evolution as time went on.
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