接下来是1931年，专辑《克里·奥尔狂想曲》发布，我们从中能够感受到艾灵顿在曲调和节奏风格上的转变，如同画家调色板上色调的变换一样。
We reached 1931 with Creole Rhapsody, which reflected Ellington's command of the tonal and rhythmic resources of his band as if they were colours on a painter's palette.
其中最受欢迎的是赛谬尔·巴伯的弦乐合奏曲《柔板》、贝多芬第九交响曲的第二乐章和德彪西的浪漫曲。
The most popular were Barber's Adagio for Strings, the second movement of Beethoven's Ninth Symphony and Debussy's Claire DE Lune.
我只有23管，与我和他们随机间隔，以保持板从翘曲。
I only had 23 tubes with me and they were randomly spaced to keep the plates from warping.
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