只有深入考察研究纷繁复杂的民俗事象，才能为民俗摄影提供理论依据。
Only with a deep probe into colorful and intricate images of folk custom, can theoretical evidence be provided for folk custom photography.
这即非一般意义上的名人肖像摄影，也非充满文化歧视的人类学的田野考察，而是一次切切实实对于古老文化的真情触摸。
Neither general acknowledged portrait photography of celebrities, nor field investigation of anthropology with cultural discrimination; it is a genuine touch on the ancient culture.
由于摄影和绘画同属艺术范畴，有着许多相似之处，有着十分特殊的关系，本文借用了这个概念，试图从另一个角度考察和解读绘画史以及关于平面绘画的某些特质。
Therefore, the author borrows this concept in an attempt to observe and interpret, from a new point of view, the history of painting as well as some characteristics related to plane painting.
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