稍纵即逝的流动性，高于生活的抽象性，远离现实的历史性(历史舞剧)跨越时空的民族性(民族民间舞)，正是显示了舞蹈的丰富多彩。

Fleeting liquidity, abstractness superior to life, historicity aloof from reality, and nationality that spans time and space, all reveal the diversification of dance.

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通过表演者的舞蹈，抽象的空间演化成流动的空间。

Through the dance of actors the abstract space changes into a fluid space.

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巴兰青和其他舞蹈编导拒绝禁锢与故事情节，因为芭蕾本源的扮演就是舞者人体，并不抽象化于故事情节。

Balanchine and other choreographers reject the term because a ballet being performed by human dancers, can never be abstract.

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