乌兹别克斯坦发生内战,世界各地的记者都云集在这里寻求最新热点。环球报的记者宾与摄影记者博路也到了这里,但博路在战火中死去,代替他的是在9.11中失去妹妹的诺拉。老练而冷峻的宾与直爽的诺拉经常有冲突,然而两人并肩作战,发现了美国误炸乌兹别克斯坦难民营背后有另外的秘密……
定期回顾和定期实践的能力是他们避免了重大问题的发生,所以没有战争故事或神奇的转变是应该的!
The power of regular retrospectives and regular exercise is that they prevent big problems from happening so there should be no war stories or miraculous transformations!
从洞画,对伊里·亚德,到电影同类储蓄二等兵赖安和那伤害锁柜,每世代告诉它的战争故事在那盛行很广的格式那时间。
From cave paintings, to the Iliad, to films like Saving Private Ryan and the Hurt Locker, every generation tells its battle stories in the prevailing format of the time.
为什么不拍一部关于那场战争的真实故事的电影呢?
III Yonder a maid and her wight Come whispering by: War's annals will fade into night Ere their story die.
那边一个女仆和她的同伴,走进来低语:,在故事结束前战争会没入夜色中。
War is right at the center of it, and war itself requires political and social organization.
战争是故事的主题,战争就需要社会与政治的组织
So the question for us remains, which deeply challenged readers in Hobbes' own time, what makes Hobbes' story, as I am calling it, his story about the state of nature ? being a condition of war, what makes it plausible?
所以我们的问题依然存在,这使霍布斯时代的读者感到深深的挑战,是什么使得霍布斯的故事,关于自然状态的故事,战争状态的故事,是什么使它真实合理?
应用推荐