作为一个家庭，没有切科夫式的舞台灯光会令我们感都忧伤。

As a family we are melancholy enough without the Chekhovian stage lighting.

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“我们想证明孰对孰错，”迪特科夫如是说。

"We wanted to prove one right or one wrong," Ditkof said.

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即使是纳博科夫也会这么告诉你们，只是几页之后，在175页，他谈到了这次旅行：，我们到处每一个地方，实际却一无所览。

Even Humbert will tell us so. Just a few pages later, on page 175, he talks about his journey: We had been everywhere. We had really seen nothing.

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The language that the Beats tried to imagine, tried to write, takes up some of these problems that we saw in Nabokov.

垮掉的一代试图想象和写出的语言，同样是是我们在纳博科夫的书里所看到的问题。

耶鲁公开课 - 1945年后的美国小说课程节选

Now, I want to look at page 231, 232. This is one of those passages that Nabokov points out as being special to him. This is Lolita playing tennis.

现在让我们跳到231，232页，这是纳博科夫提到的,对于他有特殊意义的一段，它描述了洛丽塔打网球的场景。

耶鲁公开课 - 1945年后的美国小说课程节选

So, let's begin with another of those scenes on 213 that Nabokov points out to us, the Kasbeam barber. Why did it take him a month to come up with the Kasbeam barber? What's going on in this tiny snippet that's so important? So here it is.

那么，我们从213页纳博科夫向我们指出的另一个,场景开始：理发师加斯比姆，为什么他花了一个月的时间,来创造理发师加斯比姆的形象呢？这个小片段里,发生了什么重要的事情呢？我们来看这里：

耶鲁公开课 - 1945年后的美国小说课程节选