正文部分分为三章，层层深入地探究戏剧人物的精神世界。

Part of the body is divided into three chapters, layers of depth to explore the spiritual world of theatre figures.

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其中，剪纸为少女头像，皮影则为皮影戏剧人物头像与道具。

Among them, paper-cut for the girls head, shadow puppets and shadow play drama characters per head and props.

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通过分析戏剧人物话语角色的转换来剖析人物的内在意图，可以深入人物内心，帮助理解人物形象的塑造。

An analysis of the characters discourse role switching in drama will help delve into his inner world, thereby shedding light on the characterization.

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That is to say, plays, in which various characters sit around or stand around and argue about philosophical positions.

即,以戏剧为表现方式,其间各种人物悠闲地或坐或站,集聚一块儿,探讨各种哲学观点

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The work is not, in a sense, written simply as a sort of timeless philosophical treatise, but as a dramatic dialogue with a setting, a cast of characters and a firm location in time and place.

但本书的著作目的，不仅是,永恒的的哲学论述，更是戏剧性的对话，内含场景，人物,及一个确切时间与位置。

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