尽管不像在杰罗姆·大卫·塞林格的《麦田守望者》中，霍尔顿·考尔菲德发出孤独的声音，houshichun的叙述对台湾年轻人精神世界的一个更加直白的描述。
Although not unlike Holden Caulfield's lonesome voice in J.D. Salinger's "the Catcher in the Rye", Mr Hou's narrative is a more brutal depiction of the spiritual vacuum of Taiwanese youth.
因此，笔者以荷尔德林在诗歌中表现出来的个体“失故乡”的状况，个体在精神空间上放逐的形态来论述这一观点。
Therefore, the author Holderlin manifested in the individual poems "out of home" situation, the individual in the spirit of the space on the deportation of the form to describe this view.
当荷尔德林式的家园体验成了现代性生存体验的普存状况时，“无家可归”便成了时代的精神主题。
When Holderlin-style home experience into the universal experience of modern life survival situation, the "homeless" became the theme of the spirit of the times.
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