美国的形象——汽车、城市、牛仔——成为了电影中的主要影像。
American imagery—the cars, the cities, the cowboys—became the primary imagery of film.
不管电脑影像何等真实、形象，它们依然仅仅是影像而已，不是我们真正看到的、甚或还会被许可用指端触摸一下的历史文物和艺术作品。
No matter how real and vivid computer images are, they are only images, not the historical objects and works of art that we see in real or even might be allowed to touch with our fingertips.
在众所周知的相机出现以前，人们使用这样的暗室根据物体的形象生成精确的影像。
In the days before the kind of cameras we know, people would use such darkened rooms to trace an accurate sketch on the wall based on the projected image.
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