现代社会的本体观已经超越单一的、静态的本质观,越来越重视“形式本体”(Formal ontology)、“混合本体”(Mixed ontology) 和表现本体(Representational ontology),更具有巴赫金的“对话”和哈贝马斯的“交往”,甚...
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其次是以纯诗追求为价值目标,分别从诗歌的音乐美、象征美、语言等形式的陌生化方面,表现出对诗歌形式本体意义的影响。
Secondly it appears in the pursuit of pure poems aiming at values, representing the noumenon meaning of the form of poems by the beauty of music, symbolism, and languages.
本来,唯美追求源自对形式的看重,强调绘画自律,立足于本体论和形式主义。
Originally, locating on ontology and formalism, aestheticism comes from care for the form, and stresses the self-discipline in drawing.
现代汉语诗歌自诞生以来,其本体建设在语言与形式方面展开过两次重要的讨论与建构工作,都未竟其功。
Since its birth, modern Chinese poetry has been discussed twice in terms of language and form, but in vain.
So we move now from the matter of the regime as to what constitutes its citizens and its citizen body to the question of the form of the regime its forms its formalities its structures and institutions you might say.
我们因此从政体的物质,即组构公民与公民本体的物质,转向政体形式的问题,其形式其形态,其结构与制度。
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