“原则上,我反对对女性或男性实行性别配额。”一家媒体公司的国际业务主管斯弗尔·蒙克表示。
"I am against quotas for women or men as a matter of principle," says Sverre Munck, head of international operations at a media firm.
他们向前走了二十码左右,腾格拉尔往回看,看见弗尔南多弯腰捡起那张揉皱的纸,并塞进他的口袋里。
When they had advanced about twenty yards, Danglars looked back and saw Fernand stoop, pick up the crumpled paper, and put it into his pocket.
美国空军研究实验室的克里弗尔表示赞同。
Both Guillory and Angus Fletcher are examining the troubled relation of Milton to one of his favorite poets.
无论是古伊洛还是安格斯弗莱彻,他们都在研究弥尔顿最爱的一首诗中和他相关的问题。
It's the last movement that he was working on, but he has a student there, Franz Xaver Suessmayr, and Suessmayr was given instructions and probably sketch pages as to how to finish this.
这是他创作的最后一个乐章,但是莫扎特有一个学生,弗朗兹·克萨韦尔·苏斯迈尔,苏斯迈尔得到了指示,或许还有草稿,把它完成了
One is the chapter on Comus in a book by John Guillory called Poetic Authority, and the other is the entire book by Angus Fletcher on Milton's Comus, titled The Transcendental Mask.
一个是约翰古伊洛写的关于Comus的一个章节,叫诗的威信,另一个是安格斯弗莱彻写的一本研究弥尔顿的Comus的书,叫《超凡的》
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