她是一位“乐善好施的好心人”，拥有布莱希特戏剧中坚信能在黑暗世界中行善的“勇气妈妈(Mother Courage)”那样的天性。
She was a "good Samaritan" with a "Mother Courage" nature, referencing the Brecht character who believes she can do good in a bad world.
布莱希特与中国戏剧是一种“双向互动”的关系。
There is an interactive relationship between Bertolt Brecht and Chinese drama.
本文论述了布莱希特与梅兰芳两位现实主义大师，运用的戏剧手段却各有巧妙不同。
This article discusses that Brecht and Mei Lanfang are two great masters of realism, yet each has his own ways and methods of expression.
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