属和弦:以属音(第Ⅴ级)为根音产生的三和弦,叫做属和弦。
副属和弦 Secondary dominant
属七和弦 dominant seventh chord ; Dominant chord of the seventh ; Dominant Chord ; dominant nineth chord
装饰属和弦 Secondary Dominant Chords
代理属和弦 Substitute Dominant Chords
由下属和弦转成主和弦 plagal
第二属和弦 Secondary dominant chord
连续属和弦 Consecutive dominant chords
属七和弦模式 Dominant Seventh chord pattern
你不能就在属七和线上结束这首歌,所以你还要再弹一次反复,如果你不想再反复了,那么可以在主和弦上结束了。
You cannot end a song on that chord, so you have to play another verse. Be sure to end on the tonika when you do not want to play any more verses.
听一听效果:你加了一些压力到这一段的最后三拍上,这种压力只有你在换到第二段的属七和弦时才得到解决。
Listen to the effect: you put some tension to the last three beats of the line, and that tension is not resolved before you change to the IV chord in the second line.
所以你要做的就是在进入第二短的时候,引入一些属七和弦到主和弦的关系。
So what you do is to introduce some kind of a V7 - I relationship when you go to the second line.
So this one happens to begin with a sort of dominant chord.
所以这段是从某种属音和弦开始的。
So if you hear two chords rocking, it's probably tonic and dominant.
如果你听到有两个和弦,这有可能是主音和属音。
We've got some chords set out and we're going to-- we've got some chords set out here and we're in the key of C at this point, and we're going to hear Beethoven go to a tonic chord, then a sub-dominant chord, then a tonic chord, then a dominant chord and so on.
我们看到有一些和弦-,而我们现在在C调的位置上,然后听贝多芬的主音和弦,然后是次属音和弦,然后是主音和弦,接着是属音和弦,如此往复。
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