文章结合本雅明的思想传统、社会背景、 人生 经历及其独特的性格气质特征，着重探讨了他文艺领域的审美救世思想。
The formation of her personality was obviously influenced by the education, family situation and her life experience. This paper mainly discusses the three aspects.
不可否认，消极审美救世主义的弊端是显而易见的，但是法兰克福学派的审美乌托邦思想不仅只是如此的一无是处。
It is beyond doubt that the malpractice of the negative doctrine of world-saving is obvious, but the malpractice of the thought of aesthetic Utopia of the School of Frankfurt is more than this.
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