将作为一种审美形态的悲剧视为艺术表现的最高形式由来以久,但现在来看事情并非如此。
As a kind of aesthetic consciousness, tragedy has long since been regarded as the supreme artistic expression, but that is not the case.
文学中道德生活的表现,应以审美的形态来显现道德与情感的冲突,以充满热情与生命的生活形象表达对真善美的肯定和假恶丑的否定,以美的形式与情感诉诸读者的心灵。
The literary expressions of moral life ought to make use of the aesthetic device to reveal the conflicts of emotions and ethics, to tell good from evil, and to touch the souls of the readers.
在小说文体形式上,超前地运用了戏剧的诸多因素和表现手段,彰显出小说文体戏剧化的互文性特征,拓展了小说文体的审美形态。
In the novel form, it leads the use of drama and performance factors means and underlines fiction style dramatic nature, expanding a novel stylistic aesthetic patterns.
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