《审美主义》是2005年社会科学文献出版社出版的图书,作者是李晓林。
The narrative theory in the western literature and art theory has experienced renaissances three times, namely historical-positivism , aestheticism and the western structuralism narratology.
西方现代的文艺理论中有关叙述的理论,经历了三次复兴,即历史一实证主义、审美主义和结构主义叙述学。
参考来源 - 西方结构主义叙述学的嬗变及特征·2,447,543篇论文数据,部分数据来源于NoteExpress
第三,过度的审美主义倾向。
身体的审美主义仍具有浓烈的形而上学和本体论色彩。
However, his bodily aesthetics still has a strong metaphysical and ontological color.
与传统审美主义相比,这一“形式”有其自身的秘密。
Compared with traditional aesthetic, this form has its own secret.
Here's the title page, reminding us, again, that this gorgeous Celtic aestheticism is published and put up for sale in London, which is important again.
这个封面页再一次提醒我们,绚丽的凯尔特审美主义,是在伦敦出版和出售的,这一点很重要。
It's a late Victorian image of an archaic singer rendered in the melodramatic manner of Pre-Raphaelite art and thoroughly removed from the aesthetic values of modernism, such as naturalism, formal clarity, emotional restraint and so on.
这是维多利亚时代晚期古代吟唱诗人的肖像,用戏剧化的前拉斐尔派,风格表现,完全摒弃了,现代主义的审美观,比如自然主义,形式明确,感情自制等等。
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