展览中有一张这样的图片,它表现出树木黑色树枝形式上的完美,以及映在白色的背景下孤独的影像。
One such image in the exhibition shows the formal perfection of the black branches of the trees, with a lone figure silhouetted against the white.
那是部糟糕的低成本电影,然而对我而言,它表现了完美的人生。
It was a terrible low budget movie, but to me, it represented the perfect life.
它象征了一个关于工艺的经验:效用并不依赖于完美的表现形式。
It symbolizes a crucial lesson about craft: utility is not contingent on perfection of form.
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