在主要场景开拍以后，制片人提姆·桑德斯离开了剧组。
Producer Tim Sanders left the project after principal photography had commenced.
在我们建议的方法中，业务场景只被作为一个已完架构的微调，而不是主要驱动力。
In the approach that we are suggesting, the business scenarios are used only as a post-architecture fine tuning exercise, instead of the main driver.
这部电影里大部分主要的情节点都同时发生而又是荒谬的——为什么我们会突然看到设置在北极的惊险场景？
It gives us a movie in which most of the major plot points are simultaneously nonsensical - Why are we suddenly watching a thriller set in the arctic?
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