早用“后现代”一词的是英国画家约翰·瓦特金斯·钱普曼（JohnWatkinsChapman），1870年用“后现代绘画”（Postmodern Painting）一词来评价法国印象派卫的绘画策略，此决定了“后现代”一词它用初就表现出具有超越否定的意 义。
基于14个网页-相关网页
由此，赫尔德那些呈现错综性和错觉艺术手法的绘画被视为后现代主义。
Thus, Held's painting, because of its complexity and illusionism, can be considered Post-Modernist.
“后现代之眼”的出现给“水墨艺术”带来了空前的身份解放，同时也使得“水墨艺术”获得超越固有本质和绘画媒介论的陷阱。
The appearance of the "post-modern eye" brought to the "ink painting art" an unprecedented liberation of identity as well as a trap that transcends the intrinsic nature and painting media theory.
第四部分论述西方现代绘画语言自觉的现实意义，强调绘画语言的自觉对后现代主义时期新绘画的重要意义。
In the last chapter, it probes into the actual value about the consciousness of western contemporary painting language and emphasize its important value to post-modernism painting.
应用推荐