“应该”的两种情态与体标记的互动关系可以用“静态”与“动态”、“现实”与“非现实”的概念对立得到统一的解释。

The co-occurrence restrictions between modality and aspect markers can be explained unitarily in terms of the concept distinction between static and dynamic, and that between realis and irrealis.

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平面设计在形态上的“不平”已经延展有静态与动态的体现，又不可避免地向情态上即人的心理空间延展，满足了人们从视觉到心灵的美感要求。

Now non-graphic in Graphic Design has developed dynamic and form, and gradually extent to mental dimension, so as to satisfy the readers from vision to mentality.

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