这个问题也，出现在《克里托篇》的对话中。

This is the question raised by this dialogue in the Crito as well.

youdao

在很多角度看来《克里托篇》于某些方面，是柏拉图式的敬神对话。

In many ways, the Crito, in some respect, is the Platonic dialogue about piety.

youdao

甚至对于忒奥克里托斯，它的创始者来说，田园诗，也一直都是人工雕凿的。

The pastoral genre in fact even for Theocritus, its inventor, was always highly artificial.

youdao

It's a poem deeply invested in the tradition of pastoral poetry, pastoral poetry from Theocritus and Virgil onward.

这是一首深深植根于从忒俄克里托斯和维吉尔时代，不断发展而来的田园诗的传统中的诗。

耶鲁公开课 - 弥尔顿课程节选

The Crito, on the other hand, is a conversation between Socrates and a single individual, only one person.

另一方面来说，《克里托篇》则是一场,介于苏格拉底与单一个体之间的对话，就只有一人。

耶鲁公开课 - 政治哲学导论课程节选

One of the motives for his selection of this genre, the pastoral genre, is the tradition -and it's a tradition that goes all the way back to Theocritus and Virgil -that associates shepherds with poets.

他选择这个流派的动力之一，就是田园诗是一种传统,是一种可以追溯到忒俄克里托斯和维吉尔时代的传统,它把牧羊人和诗人紧密相连。

耶鲁公开课 - 弥尔顿课程节选