元代的历史不长，自1271年忽必烈将蒙古王朝改国号为大元（其时南宋尚未最后灭亡）算起，至1367年元亡，只有96年。自蒙古王朝灭金、统一北方到元亡，则为133年。和前代文学相比，元代文学中最突出的成就在戏曲方面，后人常把“元曲”和“唐诗”、“宋词”并称。诗、词、散文等文学样式则相对衰微。
The second chapter mainly focuses on poetic drama that is the symbol of literature in Yuan Dynasty, which has historical connection with imperial examination subconsciously.
第二章主要关注杂剧作为元代文学的标志，它和科举发生着潜在的历史关联。
参考来源 - 元代科举与文学·2,447,543篇论文数据，部分数据来源于NoteExpress
我们已经认识的元代文学，与客观的元代文学的原貌和全貌之间还有很大距离。
What the historian of literature offered was an incomplete literary history of the Yuan Dynasty, different parts of which stood separately without connections between them.
元代文论家从哲学高度对文学本体论进行了深入的探讨，形成了文学本于“理”和本于“气”两种文学本体论，这成为考察元代文学思潮不可回避的一个既复杂又重要的问题。
The literary critic of the Yuan Dynasty made a good research on literary ontology from fhe point of philosophy and formed two literary ontologies on the basis of "Li" and "Qi".
历代论者大都从文学、者、代等角度来阐释元代杂剧繁荣的原因，而较为忽略杂剧的戏剧“本位”特征。
Scholars have been exploring the causes for the prosperity of miscellaneous drama of Yuan Dynasty from the perspectives of literature, writer, and The Times, ignoring the essence of drama.
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