...：它是流动的，没有场次的。西双版纳所上演的剧场叙事，也进入了当代艺术的诸多问题范畴，比如法国人尼古拉斯·伯瑞奥德（Nicolas Bourriaud）在《关系美学》一书中发问：“这就是今天当代艺术最为炙手的问题：在艺术史这种传统地回归其‘再现’的实践场域中，还有可能创生...
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瑞福•威尔伯特•奥德瑞在出版火车头托马斯故事集的同时仍然从事着牧师的工作。 但据克里斯托夫说他父亲从事的这两个职业并没有出现相互影响的情况。
The Rev. Awdry continued his work as a minister even while publishing Thomas stories, but Christopher Awdry says his father always kept his life as an author and his life as a clergyman separate.
不过瑞福•威尔伯特•奥德瑞总是说，他对他所创作的火车头都喜欢，绝不对任何一个火车头偏心。
The Rev. Wilbert Awdry, however, always insisted that he did not favor one locomotive over another.
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