他风格高,同意那一分重打。
他风格多样,从《印度之行》的棕榈园舞曲到《霸王铁金刚》中苏萨风格、得意洋洋的进行曲,当然,这进行曲也可以是悠闲的。
His style ranged wide, from Palm Court dances in "a Passage to India" to jaunty Sousa-style marches in "The Man Who Would be King", but it could also be spare.
他的风格是词藻堆砌、冗长沉闷。
Now, in writing in these genres, Milton is, of course, confronted with a dilemma. He's a humanist scholar.
当然,弥尔顿用这种风格来写,就会面临一种窘境,他是一位人文主义学者。
Yeats's sense of his own implication in history, well, it's something that we see in the intensive, stylistic transformations that his writing undergoes.
就是叶芝对历史的想法,这就是我们看到的,他的彻底的风格上的改变,他的写作风格的改变。
He says someone with a flair for cocktail party conversation, a witticism, would say this. He gives it to us, but he frames it as an affectation of style.
他说在一个鸡尾酒派对上交谈的调酒师,这是妙语,他给我们了,但是他将其用娇柔做作的风格包装起来。
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