叙事声音,特别是主要人物的叙事声音的转换,多个角度呈现出作者的介入叙述。
The transformation of narrative voices, especially the character-narrator reveals the intrusion of the author.
从叙述学的角度看,对话达到缩短叙述距离,控制叙述角度,消除作者介入的目的。
According to narratology, dialogue can shorten the narrative distance between writer and reader, control the point of view in narration, and eliminate writer's intervention.
李渔的小说从叙述者介入、干预方面极为强调主观色彩。
Li Yu strongly emphasizes the subjective in his simulating vernacular novels in the narrator to intervene in.
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