走进“存珍堂”历代中国书画复制精品展的展厅，使人仿佛置身于中国书画史的长卷中。
Into "Cun Zhen Tang" art exhibition of chinese duplicate painting hall, as if trapped in the history of Chinese painting and calligraphy.
在清代画史中的地位与影响力实际上也主要通过晚清北京的推崇，由书画古物市场而得以奠立。
The usually-perceived dominating status of the "Four Wangs" in Qing Dynasty painting history must also be credited to their supremacy in the late Qing Beijing antiquity market.
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