在其长篇小说《夏伯阳与虚空》中，反英雄的作用体现在作家利用源文本中的某些资源来完成对宏大叙事的颠覆。
In his novel Chapaev and Void, the role of the antihero is to subvert the grand narration by rewriting the original.
毫无预警之下，释德建就跳到与悬崖唇齿相依的低墙之上，山风鼓起了他的披肩，直吹入虚空。
Without warning he jumps up onto the low wall bordering the lip of the cliff, the wind filling his cape so that it flows out over the void.
梦想时间是在一种无限可能的虚空，去变革出一个与内在真我共振的梦想。
Dreamtime is a void of infinite possibility to foray for a dream that resonates.
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