流行音乐并不一定是劣质的东西,它可以是艺术。
二十世纪的艺术不是已经表明,自然主义不一定遵循某种既定顺序的抽象了吗?
Has not twentieth-century art shown that naturalism does not necessarily follow abstraction in some kind of predetermined sequence?
当过传教士后来被迫离开祖国瑞士的富塞利跟巴里不一样,他较为理智地看待伦敦艺术境况。
Unlike Barry, Fuseli-a former preacher who was forced to leave his native Zurich-looked rationally at the London art scene.
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