IfIgo to the PhiladelphiaMuseum of Art, for instance, inthe Middle Agessection, theironlytrulyinterestingpaintings are the ones by van EyckandRogier van der Weyden.
In this regard, Braque likely knew of the iconographical use of a skull in an extraordinary 15th-century altarpiece panel picture in the Louvre, painted by the Netherlandish master Rogier van der Weyden and named the "Braque Triptych" for the work's patron, one Jehan Braque of Tournai.