In the fifth part, it concludes the effect on the whole Song Dynasty by the three families.
第五部分，三家对整个宋代书法的影响。
Part three expounds color images in Tang-Song poetry, making their classification and analyzing their techniques used in Tang-Song poetry.
第三部分分析了唐宋诗词的色彩意象，对其进行了分类并总结了唐宋诗词中色彩意象的使用手法。
From Chapter three, it is the subject part of the article, mainly probe into the aesthetic function that brought by the North Shaanxi folk song produce in the Western film from four respects.
第二章开始，是文章的主体部分，主要从四个方面探讨了陕北民歌在西部电影中产生的审美功能。
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