Framed on the stage long associated with George Balanchine, "Rearray" with its successive blackouts and separate sections of dancing that toy with classical schooling to reveal, in passing, ballet's precision and sharpness looked like a distant relative of Balanchine's 1959 "Episodes" (last revised in 1961) as a suite to the music of Anton Webern.
Rather than helping England settle to their task, the goal was simply the signal for Mexico to emphasise their superiority in possession and demonstrate a sharpness that exposed Capello's reshuffled rearguard.